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Blind contour drawing is a drawing exercise, where an artist draws the contour of a subject without looking at the paper. The artistic technique was introduced by Kimon Nicolaïdes in The Natural Way to Draw, and it is further popularized by Betty Edwards as "pure contour drawing" in The New Drawing on the Right Side of the Brain.
In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]
Ian Sklarsky is an artist who creates blind contour portraits using pen, ink, and water color. [1] Inspired by how blind contour requires an artist to remain focused on the subject without distraction, Sklarsky’s ongoing series of artworks are drawn with just a single line and without looking at the sketch until finished. [2]
Culleton produces mural and chalkboard art, oil and acrylic on canvas and blind contour drawings in pencil and ink, as well as water-jet steel sculpture and multi-media installations. As a designer, Culleton has designed large furniture pieces for EQ3, The Pinnacle Seating Studio, and Palliser Furniture.
In Pascin’s mind a drawing should be done in complete freedom by the hand that is doing the drawing, without being controlled by the eye. He developed a form of blind contour drawing whereby a sheet of carbon paper was laid between two sheets of paper. [1] The drawing itself was done using a non-writing pen (or stylus).
Automatic drawing – Blind contour drawing – this action is performed were the artist looks at the object and does not look at the canvas or sketch pad; Contour drawing – Chiaroscuro – using strong contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects such as the human body.
Drawing, says Edwards, has five component skills of perception and drawing: [4] Edges and lines (includes copying drawings and contour drawing exercises) Negative space (i.e. space between items) Relationships (i.e. perspective and proportion between things) Light and shadows (shading) The whole: gestalt which emerges as the first four are ...
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