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Erotokritos and Erophile by Georgios Hortatzis constitute classic examples of Greek Renaissance literature and are considered to be the most important works of Cretan literature. It remains a popular work to this day, largely due to the music that accompanies it when it is publicly recited.
Digenes Akritas (Latinised as Acritas; Greek: Διγενῆς Ἀκρίτας) [a] is a medieval Greek romantic epic that emerged in the 12th-century Byzantine Empire.It is the lengthiest and most famous of the acritic songs, Byzantine folk poems celebrating the lives and exploits of the Akritai, the inhabitants and frontier guards of the empire's eastern Anatolian provinces.
In this last mood, love poetry might blur into invective, a poetic attack aimed at insulting or shaming a personal enemy, an art at which Archilochus, the earliest known Greek lyric poet, excelled. The themes of Greek lyric include "politics, war, sports, drinking, money, youth, old age, death, the heroic past, the gods," and hetero- and ...
The Dispatch critic Dink Lorance called "Ready for Love"/"After Lights" his favorite track on the album. [4] Los Angeles Times critic Richard Cromelin described "Ready to Love" as "a sledgehammer rocker that tends to grow on you." [5] Pitchfork critic Joe Tangari said that Mott the Hoople's version "pales in comparison" to the Bad Company ...
This love term has to do with spirituality, and originates in the seventh or eighth century B.C.E., when it was mostly used by Christian authors to describe the love among brothers of the faith ...
Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. [2]
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"Ready for Love" (Mott the Hoople song), 1972; covered by Bad Company, 1974 "Ready for Love", by Gary Moore from After the War , 1989 "Ready for Love", by India.Arie from Acoustic Soul , 2001