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Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
Fresco by Fra Angelico, Dominican monastery at San Marco, Florence, showing the lance piercing the side of Jesus on the cross (c. 1440). The Holy Lance, also known as the Spear of Longinus (named after Saint Longinus), the Spear of Destiny, or the Holy Spear, is alleged to be the lance that pierced the side of Jesus as he hung on the cross during his crucifixion.
Batoni represented Jesus with long hair and a short beard, holding in his left hand an inflamed heart with a crown of thorns and with a cross at the top. Batoni's artwork became popular for the official image for the devotion to the Sacred Heart of Jesus. [1] The portrait is the most notable painting of the Sacred Heart of Jesus.
Hyła's version of the Divine Mercy image has been recognised and is used throughout the Roman Catholic Church. Another painting of the Divine Mercy was made by Adolf Hyła as a votive offering . In painting the picture, Hyła expressed his gratitude for the survival of his family during World War II .
Holy card depicting the Sacred Heart of Jesus, c. 1880.Auguste Martin collection, University of Dayton Libraries. The Sacred Heart is often depicted in Christian art as a flaming heart [5] shining with divine light, pierced by the lance-wound, encircled by the crown of thorns, surmounted by a cross, and bleeding.
"His hands and his side" are to identify the marks of crucifixion (Luke 24:39 adds his feet [4]); Jesus' hands had been nailed to the cross and his side pierced . [5] The identification, together with the greeting caused the rapid switch of the disciples' emotion from "fear" ( verse 19 ) to "joy"/"glad" (verse 20).
Jesus granted Thomas's demands to verify his crucifixion, marks: [3] the marks of the nails in Jesus' hands and the pierced hole on his side . [4] It surely shocked Thomas that Jesus knows exactly his problem as every letter of his requirements for physical verification ( John 20:25 ) is met and spoken back to him with uncanny precision.
The inscription at the base of the sculpture reads "Kommer til mig" ("Come unto me") with a reference to the Bible verse Matthew 11:28, in which Jesus is depicted with His hands spread, displaying the wounds in the hands of His resurrected body. The original plaster cast model is on display in the Thorvaldsen Museum in Copenhagen, Denmark.
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