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It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing around each other while moving in their respective circles.
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Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988. [1] [2] [3]
There are a number of folk dances which are popular with Lao Theung and Lao Sung groups, which have heavily adopted traditional Lao dance features. The Hmong perform the " fon bun kin chieng " or Hmong “New Year dance;” the Khmu have a courtship dance known as the " fon pao bang "; the Red and Black Tai have a bamboo cane dance, and the Yao ...
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Tahing Baila is a Yakan dance, a low land tribal Philippine folk dance, in which it tries to imitate movements of fish. [2] Pangsak Basilan Yakan From the highlands of Mindanao, is a Musim ethnic group called the Yakan. They are known to wear body-hugging elaborately woven costumes.
Pangalay (also known as Daling-Daling [1] or Mengalai [2] in Sabah) [3] is the traditional "fingernail" dance of the Tausūg people of the Sulu Archipelago [4] and eastern coast Bajau of Sabah. [3] [5] [6] The dance has a similarity to classical Balinese and Thai dances, [7] [8] and involves the movements of the shoulders, elbows, and wrists [9]
The chapters have been intricately crafted into song and dance and accompanying music. Through the Buddhist elements, Lao beliefs of morality and karma are re-affirmed. The first half of Lao versions also establish the mythology for the creation of the Lao polities, land features, and waterways, and it serves as a transmission of culture.