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After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
Côte des Bœufs at L'Hermitage is an oil-on-canvas landscape painting by the French Impressionist artist Camille Pissarro. It was painted in 1877, and displayed the same year at an exhibition now generally referred to as the third Impressionist exhibition. The picture is large by Pissarro's measure, and he described the effort of painting it ...
Cow Pasture near Louveciennes: 1875 The Forge at Marly-le-Roi: 1875 54 x 73 Musée d'Orsay, Paris Landscape at Andresy: 1875 The Meadow: 1875 54.9 x 73 National Gallery of Art, Washington, D.C. Landscape along the Seine with the Institut de France and the Pont des Arts: c.1875 53.3 × 62.2 Art Institute of Chicago
The Colossus (painting) The Cornell Farm; Cow tools; Cow Wallpaper; The Cow with the Subtile Nose; Cow's Skull: Red, White, and Blue; Cowboys and Herds in the Maremma; A Cowherd at Valhermeil, Auvers-sur-Oise; The Cows (painting) Cows and Groomers; Cows in a River; Cows in the Meadow; Cretan Bull
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
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