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After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
Cow Pasture near Louveciennes: 1875 The Forge at Marly-le-Roi: 1875 54 x 73 Musée d'Orsay, Paris Landscape at Andresy: 1875 The Meadow: 1875 54.9 x 73 National Gallery of Art, Washington, D.C. Landscape along the Seine with the Institut de France and the Pont des Arts: c.1875 53.3 × 62.2 Art Institute of Chicago
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
The painting was made by van Gogh during his stay in Auvers-sur-Oise, with Doctor Gachet. It is a copy, like van Gogh made many, of a study by Jacob Jordaens exhibited at the Palais des Beaux-Arts in Lille. The painting was not copied directly, but from an etching by Doctor Gachet from 1873, signed with his artist name, Paul van Ryssel.
Summer (1909). Frank Weston Benson, frequently referred to as Frank W. Benson, (March 24, 1862 – November 15, 1951) was an American artist from Salem, Massachusetts, known for his Realistic portraits, American Impressionist paintings, watercolors and etchings.
Influenced by the work of art historian Charles Moffett and curated by Eliza Rathbone, Impressionists in Winter was sponsored by J.P. Morgan & Co. and opened in 1998 at The Phillips Collection art museum in Washington, D.C. In 1999, the exhibition appeared at the Yerba Buena Center for the Arts in San Francisco and the Brooklyn Museum in New ...
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