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Sonnet 72 continues after Sonnet 71, with a plea by the poet to be forgotten.The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poe
In the early 1980s Harkins sent the piece, with other poems, to various magazines and poetry publishers, without any immediate success. Eventually it was published in a small anthology in 1999. He later said: "I believe a copy of 'Remember Me' was lying around in some publishers/poetry magazine office way back, someone picked it up and after ...
What will you do after my death? Beloved: I will mourn you forever. Poet: No, mourn for me no longer than it takes to toll my passing bell. Beloved: Well, then I will read your lines, and grieve while reading them. Poet: Nay, if you read this line, remember not the hand that wrote it, if that memory would cause you grief. Beloved: Then I will ...
“You don’t love someone because they’re perfect, you love them in spite of the fact that they’re not.” — Jodi Picoult, “My Sister’s Keeper” “In case you ever foolishly forget ...
Nature is a common theme in Romantic poetry, but in Keats' poem it demonstrates how essential and natural writing is to his being. [5] The shore and water that love and fame sink within represent an expanse of fears that sit before Keats, giving the natural world a darker theme in those lines.
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
The quotes from the World Trade Center site can be found in September Morning: Ten Years of Poems and Readings from the 9/11 Ceremonies New York City, compiled and edited by Sara Lukinson.
Great Love Stories of All Nations (1932), editor "Y.Y." An Anthology of Essays (1933) The Cockleshell (1933) Both Sides of the Road (1934) I Tremble to Think (1936) In Defence of Pink (1937) Searchlights and Nightingales (1939) An Anthology of Modern Poetry (1939), editor; Life's Little Oddities (1941), illustrated by Steven Spurrier