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The jewels consist of a single necklace with a pendant and a locket that was made in London in the 1870s and was a gift from the 9th Duke of Argyll to his soon-to-be wife. It consists of a chain made of diamonds studded with pearls, the pendant has a pearl set in the centre which is surrounded by two rows of diamonds of different shapes.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
They consist of a necklace, locket and pendant. The necklace has 14 large filigree open-work "paternoster" beads which could be filled with perfumed musk. [419] The locket has tiny portraits of woman and a man, traditionally identified as Mary and James VI. The gold pendant set with pearls may have been worn with the locket.
Celtic torcs disappeared in the Migration Period, but during the Viking Age torc-style metal necklaces, mainly in silver, came back into fashion. [2] Similar neck-rings are also part of the jewellery styles of various other cultures and periods.
Claddagh ring. A Claddagh ring (Irish: fáinne an Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [1] [2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century. [3]
"Annular" means formed as a ring and "penannular" formed as an incomplete ring; both terms have a range of uses. "Pseudo-penannular" is a coinage restricted to brooches, and refers to those brooches where there is no opening in the ring, but the design retains features of a penannular brooch—for example, emphasizing two terminals.
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