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In musical notation, an accidental is a symbol that indicates an alteration of a given pitch. The most common accidentals are the flat ( ♭ ) and the sharp ( ♯ ), which represent alterations of a semitone , and the natural ( ♮ ), which cancels a sharp or flat.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Unlike conventional musical notation, the Dodeka music notation system uses a chromatic scale of 12 pitches and follows an equal pitch intervals configuration, with 4 lines per octave. [1] In this configuration, the 12 notes of an octave appear in four positions vis-à-vis the staff lines , that is, either on, between, above and below the lines.
In modern notation they do not apply to notes in other octaves or measure, but this was not always the convention. If a sharp is used as an accidental, it can be cancelled on a subsequent similar note in the staff, measure and octave by using a flat (♭) or a natural (♮).
Braille music is a complete, well developed, and internationally accepted musical notation system that has symbols and notational conventions quite independent of print music notation. It is linear in nature, similar to a printed language and different from the two-dimensional nature of standard printed music notation.
Scientific pitch notation is often used to specify the range of an instrument. It provides an unambiguous means of identifying a note in terms of textual notation rather than frequency, while at the same time avoiding the transposition conventions that are used in writing the music for instruments such as the clarinet and guitar.
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Numerical sight singing is not the same as integer notation derived from musical set theory and used primarily for sight singing atonal music. Nor is it the same as "count singing", a technique popularized by Robert Shaw in which the numbers sung represent the rhythms of a piece in accordance with the beat of a measure.
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