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It is Era's third album. It achieved success in several European countries. The title track, "The Mass", is an adaptation of O Fortuna, a classical piece by Carl Orff. [citation needed] Videos were shot for "The Mass" and "Looking for Something" on location at Chateau de Commarque, France; featuring actors Pierre Boisserie and Irene Bustamante.
Era’s first album, Era, was released in 1996 and became a worldwide success, helped by its first single, "Ameno". It sold over 6 million copies and became the most exported French album at the time. [2] It was followed by Era 2 in 2000 and The Mass in 2003.
Marcelo Quiteria Adonay (baptized February 6, 1848 – February 8, 1928) was a Filipino church composer, musician, organist, musical director, and music teacher. [2] He is regarded as a major icon of Philippine golden age of church music for his extensive contribution to religious music in the Philippines throughout his career.
The lyrics, by Guy Protheroe, are written in pseudo-Latin, i.e. sounding like Latin but are in fact deliberately devoid of any exact meaning. [citation needed] The vocals are performed by Guy Protheroe and Harriet Jay. Eric Lévi played keyboards and programmed it, whereas Philippe Manca played lead guitar, bass and drums.
The Philippines is known to have the first hip-hop music scene in Asia, emerging in the early 1980s, largely due to the country's historical connections with the United States where hip-hop originated. Rap music released in the Philippines has appeared in different languages such as Tagalog, Chavacano, Cebuano, Ilocano, and English.
National Artist Levi Celerio also wrote Tagalog lyrics to the song during the 1950s. The song is still sung today in various communities, especially in churches both in the Philippines and abroad (usually during the end of the Holy Mass). [1] Ang Pasko ay Sumapit is in public domain as an unprotected work.
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Manila sound (Filipino: Tunog ng Maynila) is a music genre in the Philippines that began in the mid-1970s [1] in Metro Manila.The genre flourished and peaked in the mid to late-1970s during the Philippine martial law era and has influenced most of the modern genres in the country by being the forerunner to OPM.