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This phrase is sometimes mistakenly rendered as "to the manor born", and used to mean 'of the privileged class”; see references for more on this one. In recent years this misconception has spread through the popularity of the British sitcom To the Manor Born, the title of which was a deliberate pun on Shakespeare's phrase.)
Tell the truth and shame the Devil (Shakespeare, Henry IV) The age of miracles is past; The apple does not fall/never falls far from the tree; The best condiments are authentic flavors; The best defense is a good offense; The best-laid schemes of mice and men often go awry; The best things in life are free
Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto, and the First Folio. "To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1).
in the First Folio from 1623 This 1888 painting by William Holmes Sullivan is named Et tu Brute and is located in the Royal Shakespeare Theatre. Photograph of the Mercury Theatre production of Caesar, the scene in which Julius Caesar ( Joseph Holland , center) addresses the conspirators including Brutus ( Orson Welles , left).
The character the poet is writing to, in Sonnet 57, is a young male he seems to be attracted to. "Shakespeare's sonnets display a narrative and a Dramatic Personae which combine to threaten conventional assumptions of appropriate love."
(While the story of Julius Caesar was dramatised repeatedly in the Elizabethan/Jacobean period, none of the other plays known are as good a match with Platter's description as Shakespeare's play.) [4] Summary Cassius persuades his friend Brutus to join a conspiracy to kill Julius Caesar, whose power seems to be growing too great for Rome's good ...
The new presidential administration has an opportunity to enact meaningful reforms that prioritize patient care, personal responsibility and the strength of American innovation.
It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]