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  2. Pitch correction - Wikipedia

    en.wikipedia.org/wiki/Pitch_correction

    The most common use of pitch correctors is to fix wrong intonation (tuning) of notes sung by vocalists in popular music sound recordings. The use of pitch correction speeds up the recording process, because singers do not need to keep singing a song or vocal line and re-recording it until the pitches are correct.

  3. Quantization (music) - Wikipedia

    en.wikipedia.org/wiki/Quantization_(music)

    When one instructs the music application to quantize a certain group of MIDI notes in a song, the program moves each note to the closest point on the timing grid. Quantization in MIDI is usually applied to Note On messages and sometimes Note Off messages; some digital audio workstations shift the entire note by moving both messages together.

  4. Auto-Tune - Wikipedia

    en.wikipedia.org/wiki/Auto-Tune

    The Aphex Twin track "Funny Little Man", from the 1997 EP Come To Daddy, was one of the earliest songs to use Auto-Tune, released less than a month after Auto-Tune. [1] [14] The song "Fragments of Life" by the duo Roy Vedas was released on August 17, 1998, heavily using the distorted Auto-Tune technique.

  5. Accidental (music) - Wikipedia

    en.wikipedia.org/wiki/Accidental_(music)

    In most cases, a sharp raises the pitch of a note one semitone while a flat lowers it one semitone. A natural is used to cancel the effect of a flat or sharp. This system of accidentals operates in conjunction with the key signature, whose effect continues throughout an entire piece, or until another key signature is indicated.

  6. Natural (music) - Wikipedia

    en.wikipedia.org/wiki/Natural_(music)

    These notes correspond to the white keys on the keyboard of a piano. A key signature with no sharps or flats generally indicates A minor or C major, using all natural notes with no sharps or flats. The natural sign is derived from a square b used to denote B ♮ in medieval music (in contrast with the round b denoting B ♭, which became the ...

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