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In the art world, a Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is a large-scale international contemporary art exhibition. The term was popularised by the Venice Biennale , which was first held in 1895, but the concept of such a large scale, and intentionally international event goes back to at least the ...
Though exhibitions are common events, the concept of an exhibition is quite wide and encompasses many variables. Exhibitions range from an extraordinarily large event such as a World's fair exposition to small one-artist solo shows or a display of just one item. Often a team of specialists is required to assemble and execute an exhibition ...
Décollage is an art style that is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by ripping and tearing away or otherwise removing pieces of an original image. [1] The French word "décollage" translates into English literally as "take-off" or "to become unglued" or "to become ...
Museums started holding large loan exhibitions of historic art in the late 19th century, as also did the Royal Academy, but the modern "blockbuster" museum exhibition, with long queues and a large illustrated catalogue, is generally agreed to have been introduced by the exhibitions of artifacts from the tomb of Tutankhamun held in several ...
Rome, a view of the Tiber, Castel Sant'Angelo, Ponte Sant'Angleo, Saint Peter's Basilica by Hendrik Frans van Lint; 1734, oil on canvas, 47 × 72 cm, private collection. A veduta (Italian for 'view'; pl.: vedute) is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista.
One speaks of the latter when it comes to large-scale settlements of artists of the same direction. Examples of this are the Nazarene movement in Rome and the Barbizon school . The decisive factor here is the personal decision of the individual to align their place of residence with that of like-minded artists, which can be conducive to the ...
According to some authors, "Syncretism is often used to describe the product of the large-scale imposition of one alien culture, religion, or body of practices over another that is already present." [8] Others such as Jerry H. Bentley, however, have argued that syncretism has also helped to create cultural compromise. It provides an opportunity ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.