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The episode was watched by 1.87 million viewers, earning a 0.8 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.8 percent of all households with televisions watched the episode. [4] This was a slight decrease from the previous episode, which was watched by 1.99 million viewers with a 0.8 in the 18-49 demographics ...
The episode retained 73 percent of its lead-in "My Name Is Earl" audience, the best the show had done up until that point. [15] An encore presentation of the episode, on April 25, 2006, received 2.4 rating/7% share was viewed by over 4.8 million viewers. [16] The episode received mostly positive reviews from television critics.
Kral and Buffy composer Thomas Wanker deliberately choose not to collaborate, so that the cross-over scenes would "maintain a different perspective," Kral says. [2] Production designer Stuart Blatt says the Boxer Rebellion flashback scenes in this episode and "Fool for Love" were filmed at a movie ranch with a standing set for a Mexican village ...
The Wachowski sisters know how to shoot a love scene (*fans self*). Even though this film was released over 25 years ago, they also knew to have an intimacy coordinator on set—we love to see it.
From romantic comedies that demonstrate full-on pent-up displays of passion to psychological thrillers that’ll leave you wanting so much more, these scenes from film and TV are the perfect way ...
"Chapter 15: The Believer" is the seventh episode of the second season of the American television series The Mandalorian. It was written and directed by Rick Famuyiwa.It was released on Disney+ on December 11, 2020 and received generally positive reviews, particularly for Burr's performance and the emotional weight.
A scene in the episode shows Grampa and Bart driving to Branson with Marge's car, listening to the radio. Because the scene consists entirely of auditive gags, the Simpsons staff had difficulty figuring out what to show visually during the scene. In the DVD audio commentary for the episode, Jean explained that these scenes “get a really big ...
The episode received five stars from Scott Tobias of Vulture, who also praised the direction of the scenes at the Dodds home, as well as Holly Hunter's performance as a "diabolical" character. [4] Noel Murray, writing for The New York Times, noted Nicholas Braun's performance as some of his "best physical and verbal comedy this week." [5]