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Zellerbach Hall is a multi-venue performance facility on the campus of the University of California, Berkeley, west of Lower Sproul Plaza. It was designed by architect and professor Vernon DeMars and completed in 1968. The facility consists of two primary performance spaces: the 1,984-seat Zellerbach Auditorium, and the 500-seat Zellerbach ...
Cal Performances is the performing arts presenting, commissioning and producing organization based at the University of California, Berkeley in Berkeley, California. [1]The origins of Cal Performances date from 1906, when stage actress Sarah Bernhardt appeared at the William Randolph Hearst Greek Theatre to help rebuild public morale after the devastating San Francisco earthquake and fire in ...
Lower Sproul Plaza, directly west of Upper Sproul Plaza, is the location of numerous small musical and cultural performances and is surrounded by numerous brutalist-style 1960s-era buildings owned by the ASUC, including the Martin Luther King Jr. Student Union to the east, [1] as well as the César E. Chávez Student Center to the north [2] and ...
Crown Zellerbach was an American pulp and paper conglomerate based in San Francisco, California, purchased in a hostile takeover in 1985. [ 1 ] [ 2 ] Most of its pulp and paper assets were sold to James River Corporation , now part of Georgia-Pacific .
Pimentel Hall, a round, 2-story lecture hall, was built north of Latimer Hall in 1964 and named after George C. Pimentel, inventor of the chemical laser. Hildebrand Hall was built in between Gilman and Lewis Halls to the south of the complex in 1966.
Harold L. Zellerbach Rehearsal Hall is located at the corner of Franklin and Hayes streets, and is directly adjacent to Louise M. Davies Symphony Hall. Zellerbach Rehearsal Hall consists of three rehearsal facilities, which can be used for a multitude of rehearsal purposes and movie shoots. [3]
Critics have almost unanimously favorably reviewed her performances. Tyrus performed "Biosefera" at University of California, Berkeley's Zellerbach Hall in 1978. [2] The Berkeley Gazette reviewer said her performance of the pas de deux "displayed the young performer's phenomenal level of skill and sensitivity... suggests a long and richly successful dance career". [2]
The opera received positive reviews from Joshua Kosman in the San Francisco Chronicle, Janos Gereben in The San Francisco Examiner and San Francisco Classical Voice, Stacy Trevenon at StageandCinema.com and others, with mixed reviews from the San Jose Mercury News and elsewhere.