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The Tale of the Heike ' s origin cannot be reduced to a single creator. Like most epics (the work is an epic chronicle in prose rather than verse), it is the result of the conglomeration of differing versions passed down through an oral tradition by biwa-playing bards known as biwa hōshi.
"Vice-Commander", a nickname given to Taira no Yoshimune a.k.a. Taira no Nobumune by his father), son of Taira no Munemori, beheaded at age 7 (age 8 Japanese style) on the orders of Minamoto no Yoshitsune (see Heike Monogatari, Book XII, Chapter 14)
He was a member of the Taira clan (Heike) who fought in the Genpei War against the Minamoto (Genji). He is mostly known for his early death at the Battle of Ichi-no-Tani and his appearance in the epic The Tale of the Heike, in which he was killed by the remorseful warrior Kumagai Naozane. He is also the subject of the famous Noh play Atsumori.
The Tale of the Heike. Tokyo: University of Tokyo Press. ISBN 0-86008-189-3. Yoshikawa, Eiji. (1956). The Heike Story: A Modern Translation of the Classic Tale of Love and War. New York: Alfred A. Knopf. ASIN B0007BR0W8 (cloth). _____. (1981). The Heike Story: A Modern Translation of the Classic Tale of Love and War. Tokyo: Tuttle Publishing.
He features prominently in the early chapters of the Heike Monogatari as it relates the tale of the plot and subsequent exile. According to that text, shortly after his father was exiled to Kikai-ga-shima, Naritsune was, in the sixth lunar month of 1177, summoned to Fukuhara and then to Bitchū province before himself being sent to Kikai-ga ...
Tomoe Gozen (巴 御前, Japanese pronunciation: [5]) was an onna-musha, a female samurai, mentioned in The Tale of the Heike. [6] There is doubt as to whether she existed as she doesn't appear in any primary accounts of the Genpei war. She only appears in the epic "The tale of the Heike".
Ruth B. Bottigheimer catalogued this and other disparities between the 1810 and 1812 versions of the Grimms' fairy tale collections in her book, Grimms' Bad Girls And Bold Boys: The Moral And Social Vision of the Tales. Of the "Rumplestiltskin" switch, she wrote, "although the motifs remain the same, motivations reverse, and the tale no longer ...
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