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While some Christians thought Jesus should have the beautiful appearance of a young classical hero, [24] and the Gnostics tended to think he could change his appearance at will, for which they cited the Meeting at Emmaus as evidence, [25] others including the Church Fathers Justin (d. 165) and Tertullian (d. 220) believed, following Isaiah 53:2 ...
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
William Blake's illustrations of On the Morning of Christ's Nativity are a typically esoteric treatment in watercolour. Edward Burne-Jones , working with Morris & Co. , produced major works on the theme, with a set of stained glass windows at Trinity Church, Boston (1882), a tapestry of the Adoration of the Magi (ten copies, from 1890) and a ...
The Head of Christ is also venerated in the Coptic Orthodox Church, [11] following a 1991 report in which twelve-year-old Isaac Ayoub of Houston, Texas, who was diagnosed with leukaemia, saw the eyes of Jesus in the painting shedding tears; Fr. Ishaq Soliman of St. Mark's Coptic Church in Houston, on the same day, "testified to the miracles ...
Jesus and the two disciples On the Road to Emmaus, by Duccio, 1308–1311, Museo dell'Opera del Duomo, Siena. According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb.