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"Overlaying" or folding or hammering on gold foil or gold leaf is the simplest and most ancient method, and is mentioned in Homer's Odyssey [8] and the Old Testament. The Ram in a Thicket (2600–2400 BC) from Ur describes this technique used on wood, with a thin layer of bitumen underneath to help adhesion.
The hammer used to drive the nails into Jesus' hands and feet; The pincers used to remove the nails; The vessel of myrrh, used to anoint the body of Jesus, either by Joseph of Arimathea or by the Myrrhbearers; The shroud used to wrap the body of Jesus before burial; The sun and moon, representing the eclipse which occurred during the Passion
A gold nugget of 5 mm (0.2 in) in diameter (bottom) can be expanded through hammering into a gold foil of about 0.5 m 2 (5.4 sq ft). The Toi gold mine museum, Japan.. Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 μm thick [1]) by a process known as goldbeating, [2] for use in gilding.
The Hebrew Bible states that God revealed the design for the menorah to Moses and describes the construction of the menorah as follows: [4]. 31 Make a lampstand of pure gold. . Hammer out its base and shaft, and make its flowerlike cups, buds and blossoms of one piece with
The Bible moralisées was part of this movement and attempted to do just that. [7] Both the depiction and text must be read because the images hold an interpretation of the world or moment in history, and details within the images hold symbolic meaning. [8]
For the first time in Medieval illumination, 21 pages of upright miniatures with scenes from the Life of Jesus were added, some with two registers one under the other. Despite the small size of these scenes, the figures appear monumental, framed by arches, with all the backgrounds in gold leaf – another novelty.
Above, a sun in gold leaf and moon in silver leaf appear together in the sky. Two angels with flowing robes and scrolling ribbons at their waists, one floating to either side of the cross, are using gold chalices similar to communion vessels to catch the blood dripping from Jesus' nail-pierced hands and spurting from the wound in his side.
Where gold is used as a background in miniatures, mosaics and panel paintings, the halo is often formed by inscribing lines in the gold leaf, and may be decorated in patterns within the outer radius, and thus becomes much less prominent. The gold leaf inside the halo may also be burnished in a circular manner, so as to produce the effect of ...
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