Search results
Results from the WOW.Com Content Network
David Gilmour's quotes on the recording process, taken from the Wish You Were Here songbook. [5] The only time we've ever used tape speed to help us with vocals was on one line of the Machine song. It was a line I just couldn't reach so we dropped the tape down half a semitone and then dropped the line in on the track.
"Wish You Were Here" is a song by English rock band Pink Floyd, released as the title track of their 1975 album of the same name. [ 2 ] [ 3 ] Guitarist/vocalist David Gilmour and bassist/vocalist Roger Waters collaborated in writing the music, with Gilmour singing lead vocals.
In 2004, Wish You Were Here was ranked number 36 on the Pitchfork list of the Top 100 albums of the 1970s. [79] IGN rated Wish You Were Here as the eighth-greatest classic rock album, [80] and Ultimate Classic Rock placed Wish You Were Here as the second-best Pink Floyd album. [81] Wright and Gilmour cited Wish You Were Here as their favourite ...
"Have a Cigar" is the third track on Pink Floyd's 1975 album Wish You Were Here. [8] [9] It follows "Welcome to the Machine" and on the original LP opened side two.In some markets, the song was issued as a single.
Wish You Were Here, a British comedy-drama film by David Leland; Wish You Were Here, an Australian drama/mystery film by Kieran Darcy-Smith; Wish You Were Here, an American road movie by James O'Brien
The Story of Wish You Were Here is a television documentary about the making of Pink Floyd's 1975 album Wish You Were Here. After being shown on a few television channels, such as BBC Four, [1] it was released on 26 June 2012, on DVD and Blu-ray. The film gives an extensive insight of concept, recording the songs and designing the album cover.
Get answers to your AOL Mail, login, Desktop Gold, AOL app, password and subscription questions. Find the support options to contact customer care by email, chat, or phone number.
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.