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White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
The David Vases are a pair of blue-and-white temple vases from the Yuan dynasty. The vases have been described as the "best-known porcelain vases in the world" [ 1 ] and among the most important blue-and-white Chinese porcelains .
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), [1] it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded ...
Dutch delftware vase in a Japanese style, c. 1680 "Blue and white pottery" (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide.
Visit to a tomb on a white-ground lekythos by the Reed Painter. The Reed Painter (fl. 420s–410s BC) is an anonymous Greek vase painter of white-ground lekythoi, a type of vessel for containing oil often left as grave offerings.
The vase was lent to Wedgwood by William Cavendish-Bentinck, 3rd Duke of Portland from 1786. Wedgwood devoted four years of painstaking attempts at duplicating the vase in black and white jasperware, which was finally completed in 1790, the figures perhaps modelled by William Hackwood.
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