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An extended version of SMPTE Color Bars signal, developed by the Japanese Association of Radio Industries and Businesses as ARIB STD-B28 and standardized as SMPTE RP 219:2002 [15] (High-Definition, Standard-Definition Compatible Color Bar Signal) was introduced to test HDTV signal with an aspect ratio of 16:9 that can be down converted to a ...
EBU 100/0/100/0 Colour Bars Displayed colours are only approximate due to different transfer and colour spaces used on web pages and video (BT.601 or BT.709). An alternate form of colour bars is the 100% Colour Bars or EBU 100/0/100/0 Colour Bars pattern (specified in ITU-R Rec. BT.1729 [8]), also known as the RGB pattern or full field bars, which consists of eight vertical bars of 100% ...
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Test cards typically contain a set of patterns to enable television cameras and receivers to be adjusted to show the picture correctly (see SMPTE color bars).Most modern test cards include a set of calibrated color bars which will produce a characteristic pattern of "dot landings" on a vectorscope, allowing chroma and tint to be precisely adjusted between generations of videotape or network feeds.
The Indian-head test pattern became obsolete in the 1960s with the debut of color television; from that point onward, an alternate test card of SMPTE color bars (and its immediate predecessors), or colorized versions of the NBC/CBS-derived "bullseye" patterns became the test card of choice.
Colour bars - two sets of bars (75% saturation at lines 6 to 7; 100% saturation at lines 14 to 15) to adjust colour saturation; Greyscale - a set of bars on line 8, that allow setting brightness, contrast, white balance and black level; Contrasting colour stripes - located at line 9, they allow checking of colour transitions;
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