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A-na-cam-e-gish-ca (Aanakamigishkaang / "[Traces of] Foot Prints [upon the Ground]"), Rainy Lake Ojibwe chief, painted by Charles Bird King during the 1826 Treaty of Fond du Lac & published in History of the Indian Tribes of North America.
Canoe Manned by Voyageurs Passing a Waterfall (Ontario) painted by Frances Anne Hopkins in 1869. British operations in Grand Portage came under pressure after the signing of the Jay Treaty in 1795, the finalization of western portion of the U.S./Canada border in 1818, and gradual settlement of the Minnesota Territory by U.S. settlers.
The many complex pictures on the sacred scrolls communicate much historical, geometrical, and mathematical knowledge, as well as images from their spiritual pantheon. The use of petroforms , petroglyphs , and pictographs has been common throughout the Ojibwe traditional territories.
George Bonga followed in his father's footsteps and entered the fur trade. He first joined the American Fur Company as a voyageur. [6] In this role, Bonga drew the attention of Territorial Governor Lewis Cass, who hired him as an interpreter for a treaty council with the Ojibwe in Fond du Lac in 1820.
Underwater Panther, George Gustav Heye Center, National Museum of the American Indian An underwater panther, called Mishipeshu (in Ojibwe syllabics: ᒥᔑᐯᔓ) or Mishibijiw (in syllabics: ᒥᔑᐱᒋᐤ) in Ojibwe (IPA: [mɪʃʃɪbɪʑɪw]), is one of the most important of several mythical water beings among many Indigenous peoples of the Northeastern Woodlands and Great Lakes region ...
Here’s why it’s worth making the voyage to Voyageurs National Park in ... has to do more with is there a solar storm and are the skies cloud-free?” he said. “With the solar storms ...
Ozhaguscodaywayquay (Ozhaawashkodewekwe: Woman of the Green Glade), also called Susan Johnston (c. 1775 – c. 1840), was an Ojibwe (also known as Ojibwa) woman and was an important figure in the Great Lakes fur trade before the War of 1812, as well as a political figure in Northern Michigan after the war.
Birchbark biting (Ojibwe: Mazinibaganjigan, plural: mazinibaganjiganan) is an Indigenous artform made by Anishinaabeg, including Ojibwe people, [1] Potawatomi, and Odawa, as well as Cree [2] and other Algonquian peoples of the Subarctic and Great Lakes regions of Canada and the United States.