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Color vision became an important part of contemporary analytic philosophy due to the claim by scientists like Leo Hurvich that the physical and neurological aspects of color vision had become completely understood by empirical psychologists in the 1980s. An important work on the subject was C. L. Hardin's 'Color for Philosophers,' which ...
Trần Đức Thảo (Từ Sơn, Bắc Ninh, 26 September 1917 – Paris, 24 April 1993 [1]) was a Vietnamese philosopher. His work (written primarily in French) attempted to unite phenomenology with Marxist philosophy.
Most research on Vietnamese philosophy is conducted by modern Vietnamese scholars. [6] The traditional Vietnamese philosophy has been described by one biographer of Ho Chi Minh (Brocheux, 2007) as a "perennial Sino-Vietnamese philosophy" blending different strands of Confucianism with Buddhism and Taoism. [7]
A chemical color is incomprehensible because we don't know its cause. Its appearance is only known from experience and it is not an essential part of the object. Chemical colors result from changes in an object's surface. A slight change in the surface may result in a different color. Color, therefore, is not an essential property of an object.
Believing that philosophical puzzles about colour can only be resolved through attention to the language games involved, Wittgenstein considers Goethe's propositions in the Theory of Colours, and the observations of Philipp Otto Runge in an attempt to clarify the use of language about colour. [2]
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1]
Light spectrum, from Theory of Colours – Goethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap.. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]