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El Machete (1924–29) was a popular communist journal that used woodcut prints. [18] The woodcut art served well because it was a popular style that many could understand. Artists and activists created collectives such as the Taller de Gráfica Popular (TGP) (1937–present) and The Treintatreintistas (1928–1930) to create prints (many of ...
Japanese woodblock prints inspired Western artists in many genres, particularly the Impressionists. [68] As the most famous Japanese print, [21] The Great Wave off Kanagawa influenced great works: in painting, works by Claude Monet; in music, [24] Claude Debussy's La Mer; and in literature, Rainer Maria Rilke's Der Berg.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
The first of the prints in the series was published jointly by the publishing houses of Hōeidō and Senkakudō, with the former handling all subsequent releases on its own. [3] Woodcuts of this style commonly sold as new for between 12 and 16 copper coins apiece, approximately the same price as a pair of straw sandals or a bowl of soup. [6]
Katsushika Hokusai (葛飾 北斎, c. 31 October 1760 – 10 May 1849), known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. [1] His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa.
Authorship of many woodcuts is uncertain, with different sources disagreeing if the woodcut was made by Dürer alone, with help of one of his students, or by one of his students with or without Dürer supervision. For some prints we also have only copies from late printings, which could be by Dürer or a copy of a lost print by him.
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