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Mavis Iona Pusey (September 17, 1928 – April 20, 2019) was a Jamaican-born American abstract artist. [1] She was a printmaker and painter who was well known for her hard-edge, nonrepresentational images. Pusey drew inspirations from urban construction. She was a leading abstractionist and made works inspired by the constantly changing ...
The historical significance of Black popular music in American culture is powerful. Even former President Jimmy Carter dedicated a month to African American music appreciation beginning in 1979.
Lonnie Bradley Holley (born February 10, 1950), sometimes known as the Sand Man, [1] [2] is an American artist, art educator, and musician. He is best known for his assemblages and immersive environments made of found materials.
Lorraine O'Grady (September 21, 1934 – December 13, 2024) was an American artist, writer, translator, and critic. Working in conceptual art and performance art that integrates photo and video installation, she explored the cultural construction of identity – particularly that of Black female subjectivity – as shaped by the experience of diaspora and hybridity.
Faith Ringgold made work that featured black female subjects and that addressed the conjunction of racism and sexism in the U.S., while the collective Where We At (WWA) held exhibitions exclusively featuring the artwork of African-American women. [54] By the 1980s and 1990s, hip-hop graffiti began to predominate in urban communities. Most major ...
This is a non-diffusing subcategory of Category:American artists. It includes artists that can also be found in the parent category, or in diffusing subcategories of the parent. For more information, see African American art .
Along with West African enslaved musicians came various stringed instruments made from gourds, such as the ngoni, that would later become the banjo, an instrument that is common in Appalachian music. [ 16 ] [ 17 ] The enslaved West African musicians played stringed instruments using a unique picking technique called “ clawhammer ”, which ...
AfriCOBRA was founded on the South Side of Chicago by a group of artists intent on defining a "black aesthetic." AfriCOBRA artists were associated with the Black Arts Movement in America, a movement that began in the mid-1960s and that celebrated culturally-specific expressions of the contemporary Black community in the realms of literature, theater, dance and the visual arts. [6]