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Antonio Vivarini (Antonio of Murano) (active c. 1440 – 1480) was an Italian painter of the early Renaissance-late Gothic period, who worked mostly in the Republic of Venice. He is probably the earliest of a family of painters, which was descended from a family of glassworkers active in Murano .
February 22 – Oskar Kokoschka, Austrian artist, poet and playwright (b. 1886). March 5 – John Skeaping, English sculptor and equine painter (b. 1901). March 18 – Tamara de Lempicka, Polish Art Deco painter (b. 1898). April 21. Ľudovít Fulla, Slovak painter, graphic artist, illustrator, stage designer and art teacher (b. 1902).
[1] Bartolomeo Vivarini is known to have worked from 1450 to 1499. He learned oil painting from Antonello da Messina, and is said to have produced, in 1473, the first oil picture done in Venice. This is in the church of San Giovanni e Paolo, a large altarpiece in nine divisions, representing Augustine and other saints.
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
Madonna and Child, tempera and gold on panel painting by Bartolomeo Vivarini, c. 1475, Honolulu Museum of Art. Bartolomeo or Bartolommeo Vivarini (c. 1432 – c. 1499) was an Italian Renaissance painter, known to have worked from 1450 to 1499.
1993- La Fe: Spiritual & Religious Expressions in Chicano Art, Galeria de la Raza/Studio 24, S.F., CA, April 13 - May 15; 1992- The Works of Eva Garcia, November–December 1992, Intersection For The Arts, San Francisco, CA; 1985- Obelisk: Individual Points of Reference, Rara Avis Gallery, Sacramento, CA, April 15 - May 3.
The Walter and McBean Galleries were located at in Russian Hill, as part of the former San Francisco Art Institute's Chestnut campus. [1] [2] It has presented an influential program of exhibitions highlighting innovative work by emerging artists and experimental work by more established artists, from throughout the United States and abroad.
San Francisco panorama showing Dietrich's application of the impasto technique, ca.1940, oil on canvas, 24x20 A study of Dietrich's early paintings from the late 1930s and early 1940s reflects his attraction to Van Gogh's bold use of color and the impasto technique, characterized by thick layers of paint showing the texture of brush strokes or ...
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