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In 1925, a version of the song was recorded onto phonograph cylinder by a folk collector. This was the first documentation of "The Longest Train" variant of the song, which includes a verse about "The longest train I ever saw". This verse probably began as a separate song that later merged into "In the Pines".
Huddie William Ledbetter (/ ˈ h j uː d i / HYOO-dee; January 1888 [1] [2] or 1889 [3] – December 6, 1949), [1] better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene ...
The following is a partial list of songs performed by Lead Belly. Lead Belly , born Huddie Ledbetter, was an American folk and blues musician active in the 1930s and 1940s. This list is incomplete ; you can help by adding missing items .
The album was produced by Bruce Callaway and David McComb, [2] recorded in a woolshed on a remote Western Australian farming property, owned by the McCombs' parents, on an eight-track machine for a grand total of $1190; the album notes record that $340 of this was spent on alcohol (beer, wine and vodka), which exceeded the $310 spent on food, the $300 on recording equipment hire and the $240 ...
"Carolina in the Pines" is a song written and recorded by American country music artist Michael Martin Murphey. It was released in August 1975 as the second and final single from the album Blue Sky - Night Thunder .
In the Pines: Rebel: 853: Canadian issue reissued as County CCS 114 1989: Bluegrass 1950-1958: Bear Family: BCD 15423: 4 vol; German issue 1991: Bill Monroe: MCA: D 10082: Part of the Country Music Hall of Fame series 1991: Mule Skinner Blues: RCA Victor: 2494-2-R: Reissued as Country Legends: 1991: Bluegrass 1959-1969: Bear Family: BCD 15529: ...
[17] [22] In The Pines was recorded at the McCombs' family property in Ravensthorpe, 600 km (370 mi) south east of Perth, in a shearing shed on basic eight-track equipment. [1] [17] It was issued in January 1987 and took The Triffids deeper into folk and country music, [1] with a lo-fi sensibility reminiscent of Bob Dylan's Basement Tapes. [17]
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