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The Golden Age of Radio, also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice ...
Among the technical demonstrations were sound effects, the use of various kinds of microphones to achieve various aural effects and voice impersonators (including sound effects produced by voice). The Fall of the City , Archibald MacLeish 's verse play for radio, was published by Farrar & Rinehart following its Columbia Workshop premiere on ...
The archive includes material dating back to the 19th century, including about 200 wax cylinders, one of which is an 1890 recording of Florence Nightingale. [5] The collection has continued to grow over the years, and from 1998 was regularly drawn on for the BBC Radio 4 series The Archive Hour. [6]
However, some very early (c. 1928–1931) radio programs were on sets of 12-inch or even 10-inch (25 cm) 78 rpm discs, and some later (circa 1960–1990) syndicated radio programs were distributed on 12-inch 33 + 1 ⁄ 3 rpm microgroove vinyl discs visually indistinguishable from ordinary records except by their label information.
Harry Babbitt; Jim Backus; Parley Baer; Bob Bailey; Jack Bailey; Eugenie Baird; Art Baker; Belle Baker; Kenny Baker; Lucille Ball; Edwin Balmer; Sam Balter; Tallulah ...
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The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology , as well as its popular scores for programmes such as Doctor Who and ...
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