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James Joyce's 1922 novel Ulysses bears an intertextual relationship to Homer's Odyssey.. Julia Kristeva coined the term "intertextuality" (intertextualité) [13] in an attempt to synthesize Ferdinand de Saussure's semiotics: his study of how signs derive their meaning from the structure of a text (Bakhtin's dialogism); his theory suggests a continual dialogue with other works of literature and ...
The treatise Rhetorica ad Herennium states metonymy as, "the figure which draws from an object closely akin or associated an expression suggesting the object meant, but not called by its own name." [ 32 ] The author describes the process of metonymy to us saying that we first figure out what a word means.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Adianoeta – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double entendre). Alliteration – the use of a series of two or more words beginning with the same letter. Amphiboly – a sentence that may be interpreted in more than one way due to ambiguous structure.
The importance of this becomes clear when the meaning of a word is clearly based on its meaning in other contexts. Interdiscursive: recontextualisation across different types of discourse, such as genres in which it is more abstract and less specific. [5] In Fairclough, chains of genres are closely connected to interdiscursive recontextualisation.
A closely connected explanation understands relations not as universals but as particular entities, so-called tropes. [89] Opponents of these approaches have argued that they fail to truly solve the problem since they do not explain how facts or tropes connect a relation to its relata without requiring a second relation. [ 77 ]
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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.