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Such a funky sound resonates through the song by incorporating many guitar loops, with varying effects and multiple percussive elements." adding "The vocal distortion in the chorus between powerful lyric, 'Thought I was high but I was barely alive', makes it difficult to distinguish between Ash's hummed voice and guitar, inadvertently creating ...
[2] Chris Riemenschneider of the Minneapolis-St. Paul Star Tribune compared Jetpack Blues to My Bloody Valentine, calling it "a genuine blast, full of richly noisy, orchestrated guitar parts and layered Brit-pop melodies." [6] Greg Winter of CMJ called Jetpack Blues "exquisite," with "short but sweet guitar solos and beautiful vocal harmonies."
On All About Jazz, John Kelman said "The music on Floratone is largely based around Chamberlain's behind-the-beat grooves and Frisell's left-of-center blues-drenched chords and phrases. While changes don't figure much, Frisell's inherently skewed lyricism creates instantly memorable melodies.
The Piedmont blues (also known as Piedmont fingerstyle) is a type of blues music, characterized by a unique fingerpicking method on the guitar in which a regular, alternating-thumb bassline pattern supports a melody using the treble strings. [1] The result is comparable in sound to ragtime or stride piano styles. [1]
A Different Beat moves Moore away from his familiar style of rock music towards a groove-based, dance-oriented style. [3] [9] Tim Jones of Record Collector called the album a straight-up dance album that exemplifies "a new, energising guitar/electro-beat, albeit within a bluesy setting", and felt the musician gives dance music "his own cutting-edged treatment". [3]
The Piedmont blues was named after the Piedmont plateau region, on the East Coast of the United States from about Richmond, Virginia to Atlanta, Georgia.Piedmont blues musicians come from this area, as well as Maryland, Delaware, West Virginia, Pennsylvania and northern Florida, western South Carolina, central North Carolina, eastern Tennessee, Kentucky, and Alabama – later the Northeastern ...
T.T. Oksala - loops and samples; Heikki Kangasniemi - fiddle on "Emerald Blues" Tatu Kemppainen - guitar and mandolin on "Emerald Blues" Kurt Lindblad - tin whistle on "Emerald Blues" and "Bumpersticker Rock" Puka Oinonen - saw on "Lumberjack Lady" Mika Salo - guitar solo on "Mardi Gras Ska"
Weaver recorded "Longing for Daddy Blues" and "I've Got to Go and Leave My Daddy Behind" with the blues singer Sara Martin, probably on October 24, 1923, in New York City. [4] Two weeks later, as a soloist, he recorded "Guitar Blues" and "Guitar Rag", the first blues guitar instrumentals. [5] Both recordings were released by Okeh Records. [4]
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