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An orchestra pit is an area in a theatre (usually located in a lowered area in front of the stage) in which musicians perform. The orchestra plays mostly out of sight in the pit, rather than on the stage as for a concert, when providing music for forms of theatre that require it (such as opera and ballet) or when incidental music is required
The pit is usually a large opening ranging from 4–6 feet (1.2–1.8 m) wide, 20–40 feet (6.1–12.2 m) long and 6–10 feet (1.8–3.0 m) deep. Some orchestra pits have lifts or elevators that can raise the floor of the pit up to the same height as the stage. This allows for easier movement of instruments among other things.
A pit orchestra is a type of orchestra that accompanies performers in musicals, operas, ballets, and other shows involving music. The term was also used for orchestras accompanying silent movies when more than a piano was used. [ 1 ]
Orchestral enhancement is the technique of using orchestration techniques, architectural modifications, or electronic technologies to modify the sound, complexity, or color of a musical theatre, ballet or opera pit orchestra. Orchestral enhancements are used both to create new sounds and to add capabilities to existing orchestral ensembles.
However, audience members in higher seats can see the pit musicians; as such, a typical pit orchestra in front of a stage cannot truly be considered to be hidden from the audiences' view. In some venues, there is no orchestra out in front of the stage; in this case, the pit orchestra may play in a room near the stage or backstage, watching the ...
The orchestra pit may sometimes be covered and used as an additional playing space in order to bring the actors closer to the audience. The stage is often raised higher than the audience. Space above some proscenium stages may include a flyloft where curtains , scenery, and battens supporting a variety of lighting instruments may hang.
Washington Concert Opera on stage at Lisner Auditorium, 2009. A concert performance or concert version is a performance of a musical theater or opera in concert form, typically [1] without set design or costumes, and mostly without theatrical interaction between singers.
The orchestra size is determined from the music budget of the film. The orchestrator is told in advance the number of instruments he has to work with and has to abide by what is available. A big-budget film may be able to afford a Romantic music era-orchestra with over 100 musicians.