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Catalogues of composers' works typically follow either a chronological arrangement (sorting by date of composition) or a sorting by musical genre. [2] Hoboken's catalogue is of the latter type; thus the symphonies, for example, are in category I, all string quartets are in category III, piano sonatas are in category XVI, and so on.
Thematic catalogue indicates a catalogue with a music example (incipit/theme) for each entry, usually represented on one or two staves. [1] A symbol is chosen to represent the catalogue as a whole, and this is usually the initial of the author's or the composer's surname, or an abbreviation of the title of the catalogue itself.
In May, 2001 Scott announced a project to include a scan of each stamp in its catalogues. Many were made from its own reference collection and introduced in the six volume 2002 edition as black and white images. Color images were introduced in 2003 in the Classic Specialized Catalogue and in 2005 in the Specialized Catalogue of United States ...
In library and information science, cataloging or cataloguing is the process of creating metadata representing information resources, such as books, sound recordings, moving images, etc. Cataloging provides information such as author's names, titles, and subject terms that describe resources, typically through the creation of bibliographic records. [1]
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Domenico Scarlatti: The Keyboard Sonatas – Lists at Classical.net, sorted by Longo, Kirkpatrick or Pestelli numbers or key, time signature; Scarlatti Domenico: Catalogue; lists original sources for more than 600 keyboard sonatas including many not listed in this article; newly discovered ones and doubtful ones; other lists such as Fadini's edition.
—Hess' original study and catalogue; still more widely available in libraries than Green's edition. —Full title in English: Catalogue of works not found in the Collected Works of Ludwig van Beethoven. Green, James (ed. and trans). The new Hess catalog of Beethoven’s works. West Newbury, Vermont: Vance Brook, 2003.