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A Pasi gong is a medium-size gong 12 to 15 inches (30 to 38 cm) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance ...
In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gamelan. In central Javanese gamelan there are three types of bonang used: Javanese bonang in Surakarta.
Gong Agung - used in classical Malay music of Malay Gamelan. Gong Anak - used in traditional performances such as Wayang Kulit, Mak Yong and Main Puteri. Gong Ibu - used in traditional performances such as Wayang Kulit, Mak Yong and Main Puteri. Kenong - used in classical Malay music of Malay Gamelan.
Gamelan semar pegulingan is an old variety of the Balinese gamelan.Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar.
Yuchi Gong (尉遲恭) or Yuchi Rong (尉遲融) (585 – 25 December 658 [1]), courtesy name Jingde (敬德), also known by his posthumous name Duke Zhongwu of E, was a Chinese military general who lived in the early Tang dynasty. Yuchi Jingde and another general Qin Shubao are worshipped as door gods in Chinese folk religion.
The term gong in the Minang language is aguang, the form is the same as in other areas, such as in Malay, Sundanese, Javanese, etc. The gong is usually the first, third, or closing stroke, while the gong is small in the second and fourth strokes. Then there are also variations according to the range. [23]
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul. In Nongak, the person who beats a kkwaenggwari is called Sangsoe (상쇠) or Busoe (부쇠).