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A Pasi gong is a medium-size gong 12 to 15 inches (30 to 38 cm) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance ...
In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gamelan. In central Javanese gamelan there are three types of bonang used: Javanese bonang in Surakarta.
Yuchi Gong (尉遲恭) or Yuchi Rong (尉遲融) (585 – 25 December 658 [1]), courtesy name Jingde (敬德), also known by his posthumous name Duke Zhongwu of E, was a Chinese military general who lived in the early Tang dynasty. Yuchi Jingde and another general Qin Shubao are worshipped as door gods in Chinese folk religion.
Gamelan semar pegulingan is an old variety of the Balinese gamelan.Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar.
Gong Agung - used in classical Malay music of Malay Gamelan. Gong Anak - used in traditional performances such as Wayang Kulit, Mak Yong and Main Puteri. Gong Ibu - used in traditional performances such as Wayang Kulit, Mak Yong and Main Puteri. Kenong - used in classical Malay music of Malay Gamelan.
A pair of hanging gongs, which are gong kecil and gong besar; Gendang (a barrel drum) Malay gamelan had more than seven musical instruments during its heyday at Istana Kolam, such as the gedemung (slentho in Javanese tradition) and gender, but only seven instruments remained and were kept after the Second World War. [20]
The term gong in the Minang language is aguang, the form is the same as in other areas, such as in Malay, Sundanese, Javanese, etc. The gong is usually the first, third, or closing stroke, while the gong is small in the second and fourth strokes. Then there are also variations according to the range. [23]
Kulintang music likely evolved from this simple signaling tradition, transitioning into a period consisting of one player, one-gong type ensembles (like those found among the Ifugao of Luzon or Tiruray of Mindanao), developing into a multi-gong, multiplayer ensemble with the incorporation of concepts originating from Sunda (Indonesian) and ...