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Federal-style architecture is the name for the classical architecture built in the United States following the American Revolution between c. 1780 and 1830, and particularly from 1785 to 1815, which was influenced heavily by the works of Andrea Palladio with several innovations on Palladian architecture by Thomas Jefferson and his contemporaries.
Although in a neglected state today, the Bates House displays excellent craftsmanship and design, and reflects admirable architectural qualities of the Federal style as is evident by the flemish bond facade, period embellishments of the exterior facade bays and outstanding interior detailing." [2]
The Seabury Tredwell House has a Federal-style facade and a Greek Revival interior, though sources disagree on which style is more predominant. [ 10 ] [ 105 ] Huxtable and Town & Country magazine described the Greek Revival style as being more prominent, particularly inside the house, [ 59 ] [ 74 ] and Diamonstein-Spielvogel and journalist ...
Federal buildings in the United States house offices of the United States government that provide services to state and city level population centers. These federal buildings are often literally named Federal Building, with this moniker displayed on the property; they may share real estate with federal courthouses .
In the 1780s the Federal style of architecture began to diverge bit-by-bit from the Georgian style and became a uniquely American genre. At the time of the War of Independence , houses stretched out along a strictly rectangular plan, adopting curved lines and favoring decorative details such as garlands and urns.
By Steele Marcoux Federal home design style comes with another confusing name. In design, the word "federal" simply indicates the time period (1780–1820) when the style, known among architecture ...
Federal architecture is defined by plain surfaces and facades with a limited use of pilasters. Some federal-style building combine the simple brick-based Georgian architecture with elements of classical design, such as columns and pediments. Most, however, lack these classically inspired elements and are simpler in design.
Particularly high-style examples follow the Louvre precedent by breaking up the facade with superimposed columns and pilasters that typically vary their order between stories. Vernacular buildings typically employed less and more eclectic ornament than high-style specimens that generally followed the vernacular development in other styles.