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Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic practices. One major point of contact was the ancient Crimean city of Olbia.
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
The Orphic Trilogy, a series of films by Jean Cocteau (1930–1959) Eurydice, a play by Jean Anouilh (1941) Orfeu da Conceição, a play by Vinicius de Moraes (1956) Orpheus Descending, a play by Tennessee Williams (1957) Black Orpheus, a film by Marcel Camus (1959) Evrydiki BA 2O37, a film directed by Nikos Nikolaidis (1975)
Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. [4]: 43
In Orphic literature, in which there are four rivers of the underworld, the Phlegethon is associated with the element of fire, and the direction east. [ 3 ] In Oedipus by Seneca the Younger , the first singing of the chorus, which mainly describes the plague that has settled in Thebes , includes the line, "Phlegethon has changed his course and ...
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.
In Orphic cosmogony Phanes / ˈ f eɪ ˌ n iː z / (Ancient Greek: Φάνης, romanized: Phánēs, genitive Φάνητος) or Protogonos / p r oʊ ˈ t ɒ ɡ ə n ə s / (Ancient Greek: Πρωτογόνος, romanized: Prōtogónos, lit. 'Firstborn') is a primeval deity who was born from the cosmic egg at the beginning of creation.
Blanchot's interpretation and use of the Orphic myth is to highlight the non-dialectical movement of art, and especially literature's, self-realization. Against Hegelian dialectics, Blanchot's Orpheus sacrifices Eurydice but does not attain the work, only the sacrifice of the work, and affirms the impossibility that grounds the work at its origin.