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Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic practices. One major point of contact was the ancient Crimean city of Olbia.
In Greek mythology, the legend of Orpheus and Eurydice (Greek: Ὀρφεύς, Εὐρυδίκη, romanized: Orpheus, Eurydikē) concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Oeagrus and the muse Calliope.
According to Daniel Schowalter and Steven Friesen, she and the Fates "are all sufficiently tied to early Greek mythology to make their Greek origins likely." [ 2 ] The ancient Greek traveller Pausanias wrote of a temple in ancient Corinth where the goddesses Ananke and Bia (meaning force, violence or violent haste) were worshiped together in ...
In Orphic cosmogony Phanes / ˈ f eɪ ˌ n iː z / (Ancient Greek: Φάνης, romanized: Phánēs, genitive Φάνητος) or Protogonos / p r oʊ ˈ t ɒ ɡ ə n ə s / (Ancient Greek: Πρωτογόνος, romanized: Prōtogónos, lit. 'Firstborn') is a primeval deity who was born from the cosmic egg at the beginning of creation.
The Ages of Man are the historical stages of human existence according to Greek mythology and its subsequent Roman interpretation. Both Hesiod and Ovid offered accounts of the successive ages of humanity, which tend to progress from an original, long-gone age in which humans enjoyed a nearly divine existence to the current age of the writer, in ...
Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. [4]: 43
Blanchot's interpretation and use of the Orphic myth is to highlight the non-dialectical movement of art, and especially literature's, self-realization. Against Hegelian dialectics, Blanchot's Orpheus sacrifices Eurydice but does not attain the work, only the sacrifice of the work, and affirms the impossibility that grounds the work at its origin.