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Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Orpheus : The Myth of the Poet. Baltimore: Johns Hopkins University Press. ISBN 0-8018-3708-1. Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic ...
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.
In Greek mythology, the legend of Orpheus and Eurydice (Greek: Ὀρφεύς, Εὐρυδίκη, romanized: Orpheus, Eurydikē) concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Oeagrus and the muse Calliope.
Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. [4]: 43
The Group of Aphrodite, Pan and Eros (Greek: Αφροδίτη, Παν και Έρως) is an ancient marble Greek sculpture of the first century BC depicting the goat-legged god Pan trying to woo Aphrodite, the goddess of love and desire, unsuccessfully.
Hebe (/ ˈ h iː b iː /; Ancient Greek: Ἥβη, romanized: Hḗbē, lit. 'youth'), in ancient Greek religion and mythology, often given the epithet Ganymeda (meaning "Gladdening Princess"), [1] is the goddess of youth or of the prime of life. [2] She functioned as the cupbearer for the gods and goddesses of Mount Olympus, serving their nectar ...
Blanchot's interpretation and use of the Orphic myth is to highlight the non-dialectical movement of art, and especially literature's, self-realization. Against Hegelian dialectics, Blanchot's Orpheus sacrifices Eurydice but does not attain the work, only the sacrifice of the work, and affirms the impossibility that grounds the work at its origin.