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The paintings in all can be seen in the book titled Rat Fink: The Art of Ed "Big Daddy" Roth published by Last Gasp in 1993. [ 11 ] The Orbitron , a Roth custom car that was the subject of a number of articles in automotive enthusiast magazines (most notably, in Car Craft magazine in 1965) [ 12 ] which was feared lost in subsequent decades, was ...
The Lovers (German - Liebespaar) or The Gotha Lovers (Gothaer Liebespaar) is a c.1480 oil on panel painting attributed to the Master of the Housebook (drawing hand Ib). [1] It is the first German large-format double portrait panel painting that does not depict a religious or liturgical scene.
The painting's obverse . The Dead Lovers, also known as The Rotting Pair, is a circa 1470 painting by a German Gothic artist, probably from Ulm or more generally from Swabia or the Upper Rhine region. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 1442 ("MBA" stands for Musée des Beaux-Arts). [1] [2]
The history of modern painting by Richard Muther (London : J. M. Dent, 1907). Illustrated: Volume 1 Volume 2 Volume 3 Volume 4. A history of water-colour painting in England by G. R. Redgrave (London: Society for Promoting Christian Knowledge, 1905). Illustrated. Six centuries of painting by Randall Davies (New York : Dodge Pub. Co., 1914).
In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibition. The majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are by the same artist. [2]
Robert Beverly Hale (1901–November 14, 1985) was an artist, curator of American paintings at the Metropolitan Museum of Art, and instructor of artistic anatomy at the Art Students League of New York and the Pennsylvania Academy of Fine Art.
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Barbara Swan (1922–2003), also known by her married name, Barbara Swan Fink, was an American painter, illustrator, and lithographer. Her early work is associated with the Boston Expressionist school; later she became known for her still-life paintings in which light is refracted through glass and water, and for her portraits.