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The Othello paintings depict a sequence of figural images with oil and acrylic on canvases and paperboards ranging in size from 30×40 inches (102×76 cm) to 120×216 inches (300×550 cm). [2] The overtones are often conveyed with wide-rugged brushstrokes of black against a red background with areas of orange and yellow, and with figures and ...
No ads or images. Othello Navigator Archived 15 May 2016 at the Wayback Machine—Includes the annotated text, a search engine, and scene summaries. Cinthio's Tale—A 19th-century English translation of Shakespeare's primary source. Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text.
The racist slurs used by Iago, Roderigo and Brabantio in the play suggest that Shakespeare conceived of Othello as a black African: [71] "thicklips"; [72] "an old black ram is tupping your white ewe"; [73] "you'll have your daughter covered with a Barbary horse"; [74] "the sooty bosom of such a thing as thou" [75] – as do things Othello says ...
Othello was also frequently performed as an Arab Moor during the 19th century. In the past, Othello would often have been portrayed by a white actor in theatrical makeup. Black American actor Paul Robeson played the role from 1930 to 1959. Recent actors who chose to "blacken up" include Laurence Olivier (1965) and Orson Welles.
The name was selected by Hasegawa [14] as a reference to the Shakespearean play Othello, the Moor of Venice, referring to the conflict between the Moor Othello and Iago, and to the unfolding drama between Othello, who is black, and Desdemona, who is white. The green color of the board is inspired by the image of the general Othello, valiantly ...
The concept of race-reversed casting was invented by the British actor Sir Patrick Stewart in 1997. [1] As a classically trained Shakespearean actor, Stewart had wanted to play the titular character in Othello but stated that when he got to the point in his career where he felt he was experienced enough to play it, it had become no longer socially acceptable for white actors to put on ...
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Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.