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Even exclusively Catholic countries were tolerant of the church-goers: ordinary theatrical amusements was tolerated and the Church allowed the general population to patronize the theatre. In most of those countries, theatres were even allowed to be opened on Sunday evenings when the popular plays are put on the boards.
The term was widely disseminated by well-known theater historians like Heinrich Alt (Theater und Kirche, 1846), [1] E.K. Chambers (The Mediaeval Stage, 1903) and Karl Young. Young's two-volume monumental work [2] about the medieval church was especially influential. It was published in 1933 and is still read today, even though his theories have ...
In the sixteenth and seventeenth centuries, theatre was generally seen as wicked, and the church made attempts to suppress it. In the United States, condemnation of the theatre was widespread in the eighteenth century; in 1794, President Timothy Dwight IV of Yale College in his "Essay on the Stage" declared that "to indulge a taste for playgoing means nothing more or less than the loss of that ...
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities. The history of theatre is primarily concerned ...
Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period.
A pageant wagon is a movable stage or wagon used to accommodate the mystery and miracle play cycles of the 10th through the 16th century. These religious plays were developed from biblical texts; at the height of their popularity, they were allowed to stay within the churches, and special stages were erected for them.
In the earliest days of liturgical drama, plays were performed inside the church with limited scenery and the focus of the audience on the action. [7] Mansions were used to indicate location but much of the performance took place on the platea, the open space in front of the scenic structure, with the actors moving from mansion to mansion only when strictly necessary.
Jesuit drama was a form of theatre practised in the colleges of the Society of Jesus between the 16th and 18th centuries, as a way of instructing students in rhetoric, assimilating Christian values and imparting Catholic doctrine.