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Backside view of a violin. Flame maple (tiger maple), also known as flamed maple, curly maple, ripple maple, fiddleback or tiger stripe, is a feature of maple in which the growth of the wood fibers is distorted in an undulating chatoyant pattern, producing wavy lines known as "flames".
Nemessányi had a special gift with wood, always using beautifully flamed maple and tight-grained spruce for his instruments. He was often able to work as thin as 2.2 millimetres under the bridge with his best quality spruce.
He always used material of excellent quality and to accentuate the flame of the maple, he developed a special technique for treating the instrument "in the white". When he varnished his instruments, he attempted to age them slightly by accentuating the grain of the spruce on the belly.
The violin's top plate is made of two-piece spruce with even medium-to-fine grain broadening toward the sides. The back is one-piece maple with narrow, nearly horizontal flame figure; the ribs are of similar maple. The neck is made of modern maple, terminating in the original pegbox and scroll.
Many of his guitars have the unique flattened oval Wilkanowski headstock, although some featured a violin like scroll of aluminium, and some of his headstocks would just be like conventional guitar headstock. The backs of most of his guitars were one piece of flamed maple, with no center joint. The wood William used would often be the Po Valley ...
The solid body electric violin is different from the traditional violin because it does not have a hollow body and has a "Piezo Pickup with Passive Volume and Tone Controls." [8] These features allow it to be amplified. The body is made of wood, usually maple. The top of the violin might be made out of flame maple or solid spruce.
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