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"Porphyria's Lover" is a poem by Robert Browning which was first published as "Porphyria" in the January 1836 issue of Monthly Repository. [1] Browning later republished it in Dramatic Lyrics (1842) paired with "Johannes Agricola in Meditation" under the title "Madhouse Cells". The poem did not receive its definitive title until 1863.
The true lover's knot (Lycophotia porphyrea) is a moth of the family Noctuidae. The species was first described by Michael Denis and Ignaz Schiffermüller in 1775. It is found in the west Palearctic in a wide band through northern, central and eastern Europe and Russia (up to the Ural Mountains).
The condition is the name of the title character in the gothic poem "Porphyria's Lover," by Robert Browning. [citation needed] The condition is heavily implied to be the cause of the symptoms suffered by the narrator in the gothic short story "Lusus Naturae," by Margaret Atwood. Some of the narrator's symptoms resemble those of porphyria, and ...
Dramatic Lyrics is a collection of English poems by Robert Browning, first published in 1842 [1] as the third volume in a series of self-published books entitled Bells and Pomegranates.
Porphyry copper deposit, a primary (low grade) ore deposit of copper, ... "Porphyria's Lover", originally published as "Porphyria", a poem by Robert Browning;
"Johannes Agricola in Meditation" (1836) is an early dramatic monologue by Robert Browning. [1] The poem was first published in the Monthly Repository; later, it appeared in Dramatic Lyrics (1842) paired with Porphyria's Lover under the title "Madhouse Cells".
A number of his key works are literary-inspired, and much of his music is for strings, notable exceptions being the early wind quintet 'In Xanadu' from 1992 (after Coleridge), 'Porphyria's Lover' (1999) for flute and piano (after Browning), and the clarinet and piano '...That Which Echoes in Eternity' (after lines from Dante's Divine Comedy).
However, later undertones hint at the faultless painter's insufficiency, as Lucrezia still chooses her lover over her husband, even though he is making her a romantic suit. He quickly falls into a class of literary males who lack masculinity, a prototype for Prufrock. King discusses del Sarto's lack of virility, as he describes his wife the way ...