Search results
Results from the WOW.Com Content Network
The cover page of Hán-văn Giáo-khoa thư, the textbook used in South Vietnam to teach Literary Chinese and chữ Hán. The education reform by North Vietnam in 1950 eliminated the use of chữ Hán and chữ Nôm. [16] Chinese characters were still taught in schools in South Vietnam until 1975. During those times, the textbooks that were ...
Tam thiên tự (chữ Hán: 三千字; literally 'three thousand characters') is a Vietnamese text that was used in the past to teach young children Chinese characters and chữ Nôm. [ 1 ] [ 2 ] It was written around the 19th century. [ 3 ]
Sino-Vietnamese vocabulary (Vietnamese: từ Hán Việt, Chữ Hán: 詞漢越, literally 'Chinese-Vietnamese words') is a layer of about 3,000 monosyllabic morphemes of the Vietnamese language borrowed from Literary Chinese with consistent pronunciations based on Middle Chinese. Compounds using these morphemes are used extensively in cultural ...
Current and past writing systems for Vietnamese in the Vietnamese alphabet and in chữ Hán Nôm. Spoken and written Vietnamese today uses the Latin script-based Vietnamese alphabet to represent native Vietnamese words (thuần Việt), Vietnamese words which are of Chinese origin (Hán-Việt, or Sino-Vietnamese), and other foreign loanwords.
The Institute of Hán-Nôm Studies (Vietnamese: Viện nghiên cứu Hán Nôm; Hán Nôm: 院研究漢喃), or Hán-Nôm Institute (Vietnamese: Viện Hán Nôm, Hán Nôm: 院漢喃) in Hanoi, Vietnam, is the main research centre, historical archival agency and reference library for the study of chữ Hán and chữ Nôm (together, Hán-Nôm) texts for Vietnamese language in Vietnam.
The Quốc âm thi tập (國音詩集 "National pronunciation poetry collection") [a] is a collection of Vietnamese poetry written in the vernacular chữ Nôm script attributed to Nguyễn Trãi (chữ Hán: 阮廌). The collection of 254 poems was traditionally written after Nguyễn Trãi's retirement from court life. [1]
Lệnh thư (chữ Hán: 令書; 'edict script') [3] [4] is a writing style for Chinese characters and chữ Nôm in Vietnamese calligraphy.It was first developed during the Revival Lê dynasty. [5]
Thành hoàng (chữ Hán: 城隍) or Thần hoàng (神隍), Thần Thành hoàng (神城隍) refers to the gods or deities that is enshrined in each village's Đình in Vietnam. The gods or deities are believed to protect the village from natural disasters or calamities and bring fortune.