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String instrument; Other names: Vina [1]: Classification: String instruments: Developed: Veena has applied to stringed instruments in Indian written records since at least 1000 BCE. . Instruments using the name have included forms of arched harp and musical bow, lutes, medieval stick zithers and tube zithers, bowed chordophones, fretless lutes, the Rudra bīn and Sarasvati v
Tritantri or Tritantrika vina/veena can refer to two different instruments: [1] A medieval stick zither with 3 strings. [2] As a term for small practice sitar malaproped [3] in the 19th century by Raja Sir Surindo Mohun Tagore from Calcutta (1840-1914) [4] This small practice sitar was built from a single piece of wood, about 100 cm long.
The sitar (English: / ˈ s ɪ t ɑːr / or / s ɪ ˈ t ɑːr /; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India.
The rudra veena is classified either as a stick zither [2] or tube zither [7] [8] in the Sachs-Hornbostel classification system. The veena's body (dandi) is a tube of bamboo or teak between 137 and 158 cm (54 and 62 in) long, attached to two large tumba resonators made from calabash gourds.
The approach to tuning is similar to the sitar in the context of the 11-12 sympathetic resonance strings (from the low Pa to high Sa), similar to the Saraswati veena in the context of the three drone (tala) strings (Sa-Pa-Sa), but is unique in terms of the top-layer main playing six strings, which are configured as 3 tonic strings (sa), 2 fifth ...
The yazh was an ancient harp-like instrument that was also considered a veena. But with the developments of the fretted veena instruments, the yazh quickly faded away, as the fretted veena allowed for the easy performance of ragas and the myriad subtle nuances and pitch oscillations in the gamakas prevalent in the Indian musical system. [2]
The structure of instruments in their modern evolution is discussed in the ninth chapter, with ample details for building them from scratch despite there being meager details available in ancient texts. This chapter discusses several modern instruments like Vichitra Veena, Rudra Veena, Sarod, Dilruba, Santoor, Sitar etc.
Many musical instruments are associated with Hindustani classical music. The veena, a string instrument, was traditionally regarded as the most important, but few play it today and it has largely been superseded by its cousins the sitar and the sarod, both of which owe their origin to Persian
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