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Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer.
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case.
Make the flow of consciousness simple. Often, our articles will describe the long, complex process of a film's development; it can be hard to present such a narrative logically to readers, especially when you know the story well yourself. Here's an example from the lead of a non-existent article, summarising the production.
The film remains ambiguous throughout, and the editing makes sure this stays true. It shows us a moment but takes us out of the action when the apex hits. That's some good suspense.
The traditional first part of the post-production process, non-linear (analog) film editing, has mostly been replaced by digital or video editing software, which operates as a non-linear editing (NLE) system. The advantage of non-linear editing is the ability to edit scenes out of order, thereby making creative changes at will.
The documentary features interviews with 30 contemporary film editors as well as 17 other individuals, including directors, actors, and producers. [2] Throughout these interviews, many personal stories between the directors and editors are mentioned, such as Steven Spielberg and the late Verna Fields, Quentin Tarantino and Sally Menke, Martin Scorsese and Thelma Schoonmaker, and Alexander ...
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. [1]
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