Search results
Results from the WOW.Com Content Network
Frederic Chopin's Nocturne in G minor, Op. 15 no. 3, recorded by Olga Gurevich. Licensing This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication .
Edvard Grieg: the fourth piece of his Lyric Pieces, Op 54 is a nocturne; Arthur Honegger: Nocturne for orchestra (1936, partly based on music from ballet Sémiramis) Vasily Kalinnikov: Nocturne in F ♯ minor, for piano (1894) Jan Kalivoda: Six Nocturnes for Viola and Piano, op. 186; Friedrich Kalkbrenner: 4 nocturnes for solo piano
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole.
The Nocturnes, Op. 15 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1830 and 1833. The work was published in January 1834, and was dedicated to Ferdinand Hiller. [1] These nocturnes display a more personal approach to the nocturne form than that of the earlier Opus 9. The melodies and emotional depth of these ...
The Nocturne in D-flat major, referred to as Nocturne No. 8 in the context of the complete set of Chopin's Nocturnes, is one of Chopin's more popular compositions. It is initially marked as lento sostenuto and is in 6 8 meter. It consists of two strophes, repeated in increasingly complex variations. The piece is 77 measures long.
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
Opening bars from Op. 48 No. 1. The Nocturne in C minor, Op. 48, No. 1 is initially marked lento and is in 4 4 meter. In general, the scheme of the music is ternary form and follows the structure A–B–A′. [3] The piece becomes poco più lento at measure 25 and enters its middle section, which is a chorale in C major.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more