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The "Overture" was the final piece to be written on the album. [21] Lifeson said 2112 was the first Rush album that "really sounded like Rush". [14] In January 1976, the band entered Toronto Sound Studios to record with their longtime associate Terry Brown assuming his role as producer, operating a Studer 24-track machine.
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). [3] With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album (on the original LP and audio cassette).
This song is described in the liner notes of the album—its interior and back cover—in two ways: by the actually-sung lyrics, and; by the narrative of the song's Protagonist—identified as "Anonymous, 2112"—quoted and italicized like entries from a personal journal—on the back cover and before the lyrics of all songs except "Overture" and "Grand Finale".
"The Twilight Zone" is the third track on Rush's album 2112. It was the last track written and recorded for the album. It was the first single to be released from 2112.As with most Rush songs, the lyrics are written by Neil Peart, and the music by Geddy Lee and Alex Lifeson.
"2112: Oracle: The Dream" – 1:51 "2112: Soliloquy" – 2:10 "2112: Grand Finale" (Instrumental) – 2:37 "2112" was recorded on June 23, 1997, at the Great Woods Center for the Performing Arts in Mansfield, Massachusetts. Different Stages is the only Rush live album that contains a full performance of the entire "2112" suite.
Eddie Cochran cover song [120] from Neil Peart's early pre-Rush career reproduced for the album. [28] "Heart Full of Soul" Feedback: 2004 The Yardbirds cover song. [121] "For What It's Worth" Feedback: 2004 Buffalo Springfield cover song [122] from Alex Lifeson's early pre-Rush career reproduced for the album. [28] "The Seeker" Feedback: 2004 ...
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Music Emissions said that it was the most underrated song on the album and that it was a departure for the band as a very heart-felt song of loss and regret. [ 3 ] Bill Banasiewicz said in the book Rush Visions that "It's better produced than 'Lessons', which immediately precedes it.