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Malagueñas (Spanish pronunciation: [malaˈɣeɲas]) is one of the traditional styles of Andalusian music , derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century.
Concurso de Cante Jondo – (Contest of the Deep Song) was a fiesta of flamenco arts, music, song, and dance, held in Granada in 1922; Festival Bienal Flamenco – in theatres Seville, this festival features flamenco puro to innovative new works by dancers, vocalists and guitarists; Flamenco rumba – a style of flamenco music
Andalusia is a modern autonomous community of Spain that is best known for flamenco, a form of music and dance, mostly performed by artists and ordinary people from Andalusia. Improvised flamenco songs of ancient Andalusian origin are called cante jondo , and are characterized by a reduced tonal ambiance, a strict rhythm, baroque ornamentation ...
The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone. One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section ...
The poet himself collected these folk songs that were included gypsies and flamenco lyrics and gathered in his collection of ancient popular songs. Among these traditional songs were the tunes, bulerías, jaleos and seguidillas that Lorca himself recorded in 1931 accompanying the famous singer " La Argentinita " with the piano. [ 3 ]
Sevillanas (Spanish pronunciation: [seβiˈʝanas]) are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country ...
Cante jondo (Spanish: [ˈkante ˈxondo]) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with hondo ("deep") spelled with J (Spanish pronunciation:) as a form of eye dialect, because traditional Andalusian pronunciation has retained an aspirated H lost in other forms of Spanish.
Originally, this songs were intended as support for dance. Reference recordings for this palos are those by Chano Lobato , Aurelio Sellé , Manolo Vargas and La Perla de Cádiz for the Cádiz styles; Bernarda de Utrera and Fernanda de Utrera for the Pinini styles; Curro de Utrera for the " alegrías de Córdoba " or Antonio Chacón for the ...