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Audio noise measurement is a process carried out to assess the quality of audio equipment, such as the kind used in recording studios, broadcast engineering, and in-home high fidelity. In audio equipment noise is a low-level hiss or buzz that intrudes on audio output.
Smaart was unusual because it helped audio professionals such as theatrical sound designers do what was previously possible only with highly sophisticated and expensive measurement devices. [23] Audio system engineers from Clair Brothers used Smaart to tune the sound system at each stop during U2's PopMart Tour 1997–1998. [24]
The noise current is set by the filament temperature. The current is an exponential function of filament temperature. At low frequencies, there is 1/f noise. At high frequencies, the transit time of the electron becomes an issue. Ott (1976, pp. 218–219) describes using a noise diode to measure noise factor.
Cassette noise, which was predominately high frequency and unavoidable given the small size and speed of the recorded track could be made subjectively much less important. The noise sounded 10 dB quieter, but failed to measure much better unless 468-weighting was used rather than A-weighting.
An audio analyzer is a test and measurement instrument used to objectively quantify the audio performance of electronic and electro-acoustical devices. Audio quality metrics cover a wide variety of parameters, including level, gain, noise, harmonic and intermodulation distortion, frequency response, relative phase of signals, interchannel crosstalk, and more.
Dynamic range is a measure of how small you can measure a signal relative to the maximum input signal the device can measure. Expressed in decibels, the dynamic range is 20 log (Vmax/Vmin). For example, a device with an input range of ±10 V and a dynamic range of 110 dB will be able to measure a signal as small as 10 μV.
Loudspeaker measurement is the practice of determining the behaviour of loudspeakers by measuring various aspects of performance. This measurement is especially important because loudspeakers, being transducers, have a higher level of distortion than other audio system components used in playback or sound reinforcement.
The human ear responds quite differently to clicks and bursts of random noise, and it is this difference that gave rise to the CCIR-468 weighting curve (now supported as an ITU standard), which together with quasi-peak measurement (rather than the rms measurement used with A-weighting) became widely used by broadcasters throughout Britain ...
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